Sherri Cornelius

I have an artist and writer friend named Marta. It's her art you're looking at right now. She's commented here many times, because like I said, we're friends. Well now Marta's living her dream. Her debut novel, The Blue Jar, will be out in a little under a month! I can't wait to buy it.

To give you a little taste of Marta's writing (yum yum) I thought I'd post one of her fairy tales that I happen to love. Later on as the release date gets closer, I'll see if I can't post an excerpt of The Blue Jar with links and everything. But for now, enjoy!


Sharp, Glittering Things
by Marta Pelrine-Bacon
copyright 2011

Clarice possessed a fascination for sharp, glittering things. In her upstairs room she kept knives, needles, and razors hidden in a red box under her bed. Almost every one of them was stolen. Her mother couldn’t even abide the sight of cutlery and the sight of blood made her faint.

Clarice didn’t understand her mother at all. Everything had to be soft. Edges were rounded or padded. Once Clarice had gotten a paper cut and her mother had nearly banned all books. Even so, now she had to wear white gloves to turn a page.

Then there was the nightmare of birthdays. Clarice hated birthdays. Her mother spent hours at the guest list. She never crossed off a name but added and added. Every year, as the children made more friends she had to lengthen the list. Everyone in the house had to check the list so many times they could recite the names in their dreams.

A maid did all the cooking, so the children were not allowed in the kitchen and all the food was served cut into pieces for them. The children were not to lose the smallest drop of blood. Nannies and tutors were fired if one of the children scuffed a knee.

Nor did her mother sleep well. “I’ve slept enough already for several lifetimes,” her mother would say. Late at night her mother stayed curled up on the sofa and stared at the television. She watched movies and shows of other worlds and times and great adventures.

On the night of her sixteenth birthday, Clarice snuck out of her room. For years, she’d imagined being out, unmissed and unguarded, and the first step beyond the sight of the house sent a thrill through her heart.

Clarice had planned to wander. She wanted to take her time. Touch lampposts. Run her fingers along brick walls. Stop in a diner and order food that required a knife.

For her adventure she took thinnest sharpest blade from the red box and slipped in the side of boot. When she stepped out the back door, the knife’s edge pressed into her ankle, but she didn’t stop to check her skin.

The shadows of the nighttime world surprised her in spite of all the stories she’d read in preparation. She couldn’t shake the feeling the shadows were the cloaks of ghosts as if they’d been there all this time waiting for her. She decided to find a place to sit and think about her plans.

At the first bench she came to sat an old woman. Clarice had no fear of an old woman, and so she sat at the other end of the bench. She took her lipstick and a mirror out of her purse.

“That’s a very pretty shade of lipstick, dear,” the old woman said.

“Thanks. It’s called True Red,” Clarice replied. “Or something like that.”

“A good color for a girl wanting adventure.” The old woman worked at the many rings around her fingers.

Clarice laughed. “What are you doing out here at this hour? My parents always tell me the world isn’t safe for old people and children after dark.”

“You’re here too,” the old woman said. “You can’t listen to your parents and my parents have long been dead.”

“My parents are afraid of everything. Especially my mom.”

The old woman nodded. “Parents want to protect their children. There’s nothing wrong with that.”

“Were you like that? With your kids, I mean.”

“I never had children of my own.” She continued to twist her rings.

“Those are pretty rings,” Clarice said, feeling she should give the woman a compliment as well.

The old woman held her hands out in front of her with her fingers outstretched. The silver bands, some with stones, gleamed in the streetlight. “Thank you, dear. Though I’m really getting too old for such frippery.”

“Such what?”

The old woman smiled. “Which ring do you like best?”

“Oh. Well. That’s hard to say. But, if I had to choose, I guess I’d choose that one with the stars.” A stream of sharp-pointed stars wrapped around the woman’s gnarled finger.

“Good choice.” She slipped the ring off. “Here, dear. It’s for you.”

Clarice sat up straighter. The ring wasn’t candy from a stranger exactly, but her mother would see it the same way. “Good heavens, ma’am. I can’t take that. You don’t even know me.”

“I’m old and have no children,” the woman said. “I had a son once.” Her voice trailed off. “You’re young and have adventure waiting for you. Take it and you’ll remember me. You’ll be about the only person to do so.”

Clarice let the woman place the ring in her hand. “Thank you. That’s very kind.”

“Go on and put it on.”

“I hope it isn’t too big.” The ring rested in Clarice’s open palm.

“It will fit. I promise. On your ring finger—like you’re getting married.”

“I’m too young to get married.” Clarice wasn’t sure what to make of the old woman’s smile, but she put the ring on like she was told, and just as the old woman promised the ring felt as if it had been made for her. “You know,” said Clarice, “you don’t seem that old.”

“It’s hard for the young and inexperienced to know what they see.”

“I wish had something to give you…wait.” Clarice took the knife from her boot. “You could take this. You could use it to protect yourself.”

“Then what would you have for protection, dear?”

“Oh, I’ve got a box of knives under my bed at home.”

“That’s too far away now to be of much use,” the old woman said, taking the knife from the girl.

“So you think my parents are right then—the world is a much too dangerous place?” It seemed to Clarice the old woman was looking less and less old and strangely less womanly.

The old woman straightened her back. “What is dangerous to some is thrilling to others.”

Clarice frowned. She must be more tired than she realized. The shadows played tricks on her mind. The old woman didn’t even sound like a woman anymore. “You said you have a son.”

“Hmm.” The woman worried the knife handle between her fingers.

“It’s odd,” Clarice said. “Looking at you now, I can see what he looks like. It’s amazing, really. I could almost trick myself into thinking I’m talking to him instead of to you.”

“The eyes play all kinds of tricks in the dark, my dear.”

Clarice imagined the old woman’s voice was deeper. “Do you like the knife?”

“I do,” came the answer. “But is already has a bit of blood on it.”

“My ankle. I’m sorry. I’ll clean it off.” She reached for the blade but the woman—or rather the old woman who looked more and more like a young man—moved the knife beyond her grasp.

“What’s a moon without a night sky to shine in? What’s a sharp edge without something to cut?”

Clarice watched as the old woman stood up, straighter and taller and more assured than ought to have been possible. “I think I need to get home,” she said.

“I think,” the old woman said and leaned over the girl, “that parents can’t protect their children from everything. Danger always has a way of getting in.”

***

Read more stories Marta's shiny, new website! Like her Facebook Page for updates.

My little experiment with You Are the Muse on Thursdays hasn’t really worked. Originally I thought YAtM needed its own space, but I was too afraid to give that level of commitment when I didn’t even know if I could sustain it for a long period of time, so I left it here to see how I would do. Several weeks later, YAtM grew legs and walked out into the world.

I’m happy to announce my new blog, You Are the Muse. I’ve moved the YAtM posts from here to there and added a couple since, while I waited for the right time to tell you about it. Everything about this is different from anything I’ve ever tried before. It might not be an original concept, might not even be very important in the grand scheme of things. It might not turn into anything at all, ever, just me pissin’ in the wind here. (Hard for a lady, but not impossible. ;) I might not ever finish, but it’s asking me to begin.

I tried to box it in here where I’m comfortable but it never felt right, so now I’m trying to let it go where it wants, without a plan or even a destination. There may be many changes in the early days while I adjust course. I have a feeling I won’t be able to see the turns until I’m right upon them.

It’s funny how a blog about finding the muse within oneself seems to be coming from the outside. It might be the only way my subconscious can get around my inability to promote myself. I mean, who am I to tell other people what they should value? Am I really so audacious as to think I might make something out of this? Really? I can only do it if it’s not me doing it, that’s what I think.

And so I ask for your help on behalf of this-thing-that-is-not-me.

Here’s what I need, and you may do any of these or all, whatever you feel comfortable with. I understand you might not be interested in the subject of the new blog, but your friends might be. Anything will help.

1. On Twitter: Follow YAtM on Twitter, and if you feel so moved, give a #FF shout-out
2. On Facebook: “Like” the new YAtM Facebook page and share with your friends. I’ll be suggesting the page to my friends, to make it easier. Subscribe to YAtM with a FB app called Networked Blogs. It’s a safe subscription service, with no spam whatsoever. Very unobtrusive. I’ll also be sending invites for that.
3. On your blog: If you think your readers will be interested, give YAtM a mention and/or put it in your blogroll. I’ll return the favor. I invite you to write your own post about creativity or the muse and tag it with You Are the Muse, or send it to me as a guest post, or both. I have two lined up, but would love more.

I think that’s a good start.

I imagine I will still post here with news of my life, but I might be a bit busy with YAtM for a little while. I would be EXTRASPECIALLY HAPPY, NO LIE, to hear your suggestions for features or improvements. This is a project for all, not just for me.

Thanks for all your support.

I know I've been a little scarce around here, but the good news is that very few people are coming on purpose to look for new content. Whew. The bad news is that I've been oh so lazy in showing my gratitude for good things which have come my way in the past little while. I have the best budz on the webz, and I think I'm a little spoiled because not everybody could possibly be this lucky.

Case in point:



Yellowcat sent me this t-shirt as a prize for her little movie-lines contest. Now I have the only t-shirt from Bubba's in Oklahoma, it's safe to assume, and I wear it with pride. (Yes, I know it's backwards. Too lazy to flip it.) Thanks, Holly!

And another confirmation my blog friends are indeed flesh-and-bone people:



I helped Ian on three of these books. I was a beta on Mustang Sally and Troubleshooters (my fave) and helped him in the Amazon book contest process on Deep Six, and though I didn't work on The Archmage, he knew I'd like to have a complete set. He threw The Archmage in for kicks. These will be worth something someday, guaranteed. They're signed and everything. A very sweet thing to do. Thanks, Ian!

And these aren't the only things I've received from you guys. I've gotten snail mail from several of you, and books, and cds, and I just love getting these little pieces of my Internet friends. So now I'm thinking maybe I should have a contest and give something from my world as the prize. I'm going to really have to think about what it could be.I write, of course, and I can sketch, sort of. I don't work, so no t-shirts. I have a daughter who makes her own greeting cards and a son who draws the coolest action scenes ever. I have several writing books I could pass along. Have I mentioned anything on the blog that made you say, "If only I had one of those"?

And what could the contest be? Oh dear.